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Fabric, parts and separate Gates are NOT for sale and NOT available. Please click to read why. eMail on this subject will not be responded to.
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Christo
The Gates, Central Park, New York 1979-2005 Collage 2004 in two parts: 30,5 x 77,5cm and 66,7 x 77,5cm (12 x 30 1/2" and 26 1/4 x 30 1/2") Pencil, fabric, charcoal, wax crayon, pastel, enamel paint fabric sample and map. Photo: Wolfgang Volz. ©2005 Christo Ref.# 114 Enlarged View |
Christo
The Gates, Central Park, New York 1979-2005 Collage, 2004 In two parts: 30.5 x 77.5 cm and 66.7 x 77.5 cm (12 x 30 1/2” and 26.1/4 x 30 1/2”) Pencil, fabric, charcoal, wax crayon, pastel, map, enamel paint and fabric sample. Photo: Wolfgang Volz ©2004 Christo Ref.# 104 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Collage 2004 In 2 parts: 77,5 x 30,5 cm. and 77,5 x 66,7cm. (30 1/2 x 12” and 30 1/2 x 26 1/4 inch.) Pencil, fabric, wax crayon, charcoal, enamel paint, pastel, aerial photo and fabric sample. Photo: Wolfgang Volz. ©2004 Christo Ref.# 107 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Collage 2004 In 2 parts: 30,5 x 77,5 cm. and 66,7 x 77,5 cm. (12 x 30.1/2” and 26.1/4 x 30 1/2 inch.) Pencil, fabric, charcoal, wax crayon, pastel, map, enamel paint, fabric sample and aerial photograph. Photo: Wolfgang Volz ©2004 Christo Ref.# 113 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Collage, 2004 21,5 x 28 cm. (8 1/2 x 11”) Pencil, enamel paint, photograph by Wolfgang Volz, wax crayon, fabric sample and tape. Photo: Wolfgang Volz ©2004 Christo Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing, 2004 35,5 x 28 cm. (14" x 11”) Pencil, charcoal, paste and wax crayon. Photo: Wolfgang Volz ©2004 Christo Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Collage, 2005 43,2 cm x 55,9 cm (17” x 22”) Pencil, enamel paint, photograph by Wolfgang Volz, wax crayon, map, and fabric sample. Photo: Wolfgang Volz ©2005 Christo Enlarged View |
Christo
The Gates, Central Park, New York 1979-2005 Collage, 2004 55,9 x 43,2 cm. (22 x 17”) Pencil, enamel paint, photograph by Wolfgang Volz, wax crayon, hand-drawn map, tape and fabric sample. Photo: Wolfgang Volz ©2004 Christo Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing 2004. 77,5 x 70,5 cm (30.1/2 x 27.3/4”) Pencil, charcoal, pastel, wax crayon, technical data and tape. Photo: Wolfgang Volz ©2004 Christo Ref.# 002 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing 2004 38,7 x 35,2 cm. (15 1/4 x 13 7/8") Pencil, charcoal, pastel, wax crayon, Photo: Wolfgang Volz ©2004 Christo Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing 2004. 55,9 x 71,1 cm. (22 x 28”) Pencil, charcoal, pastel, wax crayon, hand-drawn technical data and tape. Photo: Wolfgang Volz ©2004 Christo Ref.# 12 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing 2002. In 2 parts: 165 x 38 cm. and 165 x 106,6 cm. (65 x 15" and 65 x 42") Pencil, charcoal, pastel, wax crayon, enamel paint and map. Photo: Wolfgang Volz ©2002Christo Ref.# 22 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing in two parts: 96 x 42" (244 x 106.6 cm) and 96 x 15" (244 x 38 cm). Pencil, charcoal, pastel, wax crayon, enamel paint, fabric sample, hand-drawn map, technical data, and tape. Photo: Wolfgang Volz ©2005 Christo Ref.# 054 Enlarged View |
Christo
The Gates, Central Park, New York 1979-2005 Drawing 2004. In two parts: 244 x 38 cm. and 244 x 106,6 cm. (96 x 15” and 96 x 42”). Pencil, charcoal, pastel, wax crayon, enamel paint, fabric sample, hand-drawn map, technical data and tape. Photo: Wolfgang Volz ©2004Christo Ref.# 049 Enlarged View |
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Christo
The Gates, Central Park, New York 1979-2005 Drawing 2004 In two parts: 38 x 244 cm and 106.6 x 244 cm (15x96” and 42x96”) Pencil, charcoal, pastel, wax crayon, fabric sample, aerial photograph, tape and hand-drawn technical data. Photo: Wolfgang Volz ©2004 Christo Ref.# 047 Enlarged View |
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The Gates, Central Park, New York 1979-2005
Christo and Jeanne-Claude Click fabric sample to enlarge. |
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| Christo and Jeanne-Claude: The Gates, Central Park, New York City, 1979-2005.
Vince Davenport: Chief Engineer and Director of Construction After Michael R. Bloomberg, Mayor of New York City, announced, on January 22, 2003, that a contract had been signed permitting New York artists Christo and Jeanne-Claude to realize their temporary work of art: The Gates, Central Park, New York, 1979-2005, the fabrication of all the materials was started. The installation, at the site in Central Park, was completed with the blooming of the 7,500 fabric panels on February 12, 2005. The 7,500 gates, 16 feet (4,87 meters) tall varying in width from 5 feet 6 inches to 18 feet (1,68 to 5,48 meters) according to the 25 different widths of walkways, on 23 miles (37 kilometers) of walkways in Central Park. Free hanging saffron colored fabric panels, suspended from the horizontal top part of the gates, come down to approximately 7 feet (2,13 meters) above the ground. The gates are spaced at 12 foot (3,65 meter) intervals, except where low branches extend above the walkways. The gates and the fabric panels can be seen from far away through the leafless branches of the trees. The work of art will remain for 16 days, then the gates will be removed and the materials will be recycled. The 5 inch (12,7 cm) square vertical and horizontal poles have been extruded in 60 miles (96,5 km.) of saffron colored vinyl. The vertical poles are secured by 15,000 narrow steel base footings, 613-837 pounds (278-380 kilograms) each, positioned on the paved surfaces. No holes were made in the ground. The off-site fabrication of the gates components were purchased from seven manufacturers located on the East Coast of the USA. The weaving and sewing of the fabric panels was done in Germany. In teams of eight, 600 workers wearing The Gates uniforms, were responsible for installing 100 gates per team. The monitoring and removal teams will include an additional 300 uniformed workers. The monitors will assist the public and give information. All workers are financially compensated and receive one hot meal a day. Professional security will work in the park after dark. As Christo and Jeanne-Claude have always done for their previous projects, The Gates is entirely financed by the artists through their C.V.J. Corp, (Jeanne-Claude Javacheff, President) with the sale of preparatory studies, drawings, collages, and scale models, earlier works of the fifties and sixties, and original lithographs on other subjects. The artists do not accept sponsorship or donations. Christo and Jeanne-Claude have donated the merchandising rights to the charitable foundation NNYN (Nurture New York’s Nature and the Arts) who are sharing the proceeds with The Central Park Conservancy. The grid pattern of the city blocks surrounding Central Park is reflected in the rectangular structure of the commanding saffron colored poles while the serpentine design of the walkways and the organic forms of the bare branches of the trees is mirrored in the continuously changing rounded and sensual movements of the free flowing fabric panels in the wind. The people of New York continue to use the park as usual. For those who walk through The Gates, following the walkways, the saffron colored fabric is a golden ceiling creating warm shadows When seen from the buildings surrounding Central Park, The Gates seem like a golden river appearing and disappearing through the bare branches of the trees and highlighting the shape of the meandering footpaths. Some of the materials: • 5,290 US Tons of steel (4,799 Metric Tons) (10,580,000 pounds) (equal to 2/3 the steel in the Eiffel Tower) for 15,000 specially designed steel footing weights, varying between 615 and 837 pounds each, according to the width of the gate, (279 - 379 Kg.). Gates vary in width because there are 25 different widths of walkways in Central Park. The weights are resting on the hard surface of the walkways. There were no holes in Central Park. • 315,491 linear feet (60 miles) (96.5 Km.) of Vinyl tube, 5 inch x 5 inch square, (12,7 x 12,7 cm.) extruded in saffron color, recyclable, specially designed, (for each gate: 2 vertical 16 feet long (4,87 meter), and one horizontal (varying between 6 and 18 feet, because the width of the walkways varies) • 15,000 specially designed, recyclable, cast aluminum upper corner reinforcements which hold together the 2 vertical poles to the horizontal pole. • 15,000 base anchor sleeves. Which will be bolted to the steel footing weights. • 15,000 (1/2 inch x 8 inch x 8 inch) (1.27 x 22,8 x 22,8 cm.) steel leveling plates. The leveling plate is between the base anchor sleeve and the steel base, it has a pivoting bolt which will ensure the perfect verticality of the poles, even when the walkways are inclined. • 165,000 bolts and self locking nuts. (7,500 x 22) • 15,000 (8 x 8 x 8 inch) (22,8 x 22,8 x 22,8 cm.) Vinyl leveling plate covers, to hide the bolts. • 116,389 miles (187,311 Km.) of nylon thread to be extruded in saffron color and specially woven into 1,067,330 square feet (99,155 square meters) of recyclable, rip-stop fabric, and then shipped to the sewing factory to be cut and sewn into 7,500 fabric panels of various widths. 46 miles (74 Km.) of hems. The Gates will remain in Central park for 16 days, then the removal will start on February 28, 2005.. |
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| The Gates Frequently Asked Questions This portion of this page was written by Jok Church, and edited by Jeanne-Claude for accuracy, to cut down on the number of emails to Jok. Please read these frequent questions before sending emails. Please.
What are the chances of delays? If The Gates do not unfurl on schedule, how long will the artwork be in place? Are there any opening events planned? Why only 16 days? That term, The Gate's life, is a very important part of this choice. Christo and Jeanne-Claude regard this all their artworks as babies, created jointly in love, that come into the world with their own strengths and frailties, living things that are cherished. Their short life-spans creates a preciousness and an urgency, encouraging us to bear witness and drink in the art as much as we can, while we can, all the while knowing it may well be gone the next time we visit the site -- in this case Central Park. Our memories of this experience are how the artwork changes us -- perhaps the most powerful force of art, that the changes made are not in the site, but in us. What is the best part of Central Park for The Gates? What is the exact schedule of the unfurling? The artwork is not the process of unfolding the fabric, but rather the sum total one experiences by exploring Central Park once The Gates are unfurled. Every person’s exploration will be different. That is why the artists say whatever part of the park you are in is the best part of The Gates. The artists will be exploring it along with you, and can offer no path except the one you take. Can I volunteer to help with The Gates?
Volunteers will work two-hour shifts between 10:00 am and 4:00 pm., mostly outdoors in the Park. Orientation sessions will be given in January. To sign up to volunteer click here. Again these are volunteer positions with the Park and City and not with Christo and Jeanne-Claude whose hiring is complete. Thank you kindly for offering your services. Can I purchase a "gate" or fabric after the installation? Are samples of The Gates fabric available? Are Christo and Jeanne-Claude holding signing events? Are maps available? What are the other products, who gets the money from them? Hand-signed posters of The Gates are sold by NNYN. Christo and Jeanne-Claude gave the rights to sell posters as a part of this gift. All the funds go to NNYN. Click here to see their web site. Christo and Jeanne-Claude do not receive any revenue whatever from the sales of any article based on this gift of posters and merchandising rights. |
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| Some Artworks • Artworks in Progress • Collections • Bibliography • The Artists • FAQ • Contact | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ©2005 Christo Jok Church webmaster and more Please read Gates Frequent Questions before sending email. Please. |
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